Musicians have been political literally since people were writing songs | | Vote this way: Aerosmith performing on the National Mall, with the US Capitol in the background, Sept. 4, 2003. (Frank Micelotta/Getty Images) | | | | | “Musicians have been political literally since people were writing songs” | | | | | rantnrave:// A short rantnrave today. Like, I assume, the rest of America, I spent a good chunk of Wednesday staring at my country on TV and trying to keep my brain from falling out, PHOEBE BRIDGERS' "I KNOW THE END" and BOB DYLAN's "MURDER MOST FOUL" playing on a loop quietly in the background. My brain ended up falling out anyway. I don't know what else to say today... Except this, which seems somehow relevant: Post-BREXIT, trying to be a musician who lives in the UK and performs in Europe is much, much harder than it used to be... RIP PAUL ALLEN.
| | | - Matty Karas (@troubledoll), curator | | | | | Mixmag | Marcus Barnes talks to six artists about how they've coped with, and adapted to, lockdown. | | | | The Guardian | Industry figures say future of European tours at risk unless red tape is lifted for artists. | | | | Variety | These challenging times are ideal for musical deep dives. | | | | The New York Times | She couldn’t find a label that understood her work, so she started her own. Now she’s doubling down on her mission to provide a home for others who want to create with total freedom. | | | | Sound Field | Jersey club is a style of dance music created by Black DJs from New Jersey. Recently, this sound has gone viral online across YouTube, Instagram, and Tik Tok, and the women of New Jersey are helping to push the genre to new heights. | | | | IQ Magazine | Virtual concerts aren't a passing fad - we're at the dawn of a huge shift in entertainment consumption, says Roblox music head Jon Vlassopulos. | | | | Complex | Despite the deadly COVID-19 pandemic, some artists and promoters continued putting on concerts in 2020. Some are saying they had their best year ever. | | | | Components | Mapping the genre tags of 1 million items on Bandcamp. | | | | Middle Class Artist | We love opera, but as women, particularly women in mid-life, it’s rare to see our lives reflected meaningfully on stage. We’ve concluded that this is largely a repertoire problem. And we’ve got some data to show why. | | | | Vulture | McCartney, Dylan, Stevie, Springsteen, and so many of rock’s immortals offered life lines in dire times. | | | | God Is In The TV | The streaming model benefits and reinforces a top tier of major label artists while everyone else struggles. | | | | Music Business Worldwide | Zimbabwean, British-raised exec Sipho Dlamani is heading up Universal Music Group in much of Africa. He forecasts a big future for the region and its impact around the world. | | | | Okayplayer | Verzuz has highlighted the power in taking the high road, and prioritizing moments that not only honor the legacies of important artists, but sometimes offered reconciliation for its participants, too. | | | | NPR Music | Country singer Brandy Clark wrote her new song, "Remember Me Beautiful," for the Morning Edition Song Project after a writing session with friends who had lost relatives during the pandemic. | | | | The New York Times | It’s an instrument based on the most fundamental sign of life: breath. Listen to the best music ever written for it. | | | | Variety | Stephanie O'Keefe is a professional French horn player and has performed and recorded with such artists as Lady Gaga, Frank Sinatra, Dolly Parton and Daft Punk. | | | | Music Think Tank | It appears that on January 1, Spotify enacted a massive, global takedown of music from thousands of independent artists. The vast majority appear to have used Distrokid for distribution. | | | | Bandcamp Daily | Long before the modern Brit jazz explosion, UK jazz artists were filtering rock, funk, electronics, international influences, and the avant-garde through an open-ended but idiosyncratically English mindset. | | | | Village Voice | Harlem gangsters raise a genius. (Originally published Sept. 1, 1988.) | | | | | | YouTube | | | | | | | | | | | | | © Copyright 2021, The REDEF Group | | |