Rock and roll is Black. Rock and roll is white.
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Tuesday February 01, 2022
REDEF
Fishbone's Angelo Moore at Pinkpop, Landgraaf, Netherlands, May 15, 1989.
(Paul Bergen/Redferns/Getty Images)
quote of the day
Rock and roll is Black. Rock and roll is white.
- Angelo Moore, Fishbone singer/saxophonist
rantnrave://
Today's Top Hitmakers

A variety of superstar names are being thrown around, in music Twitter's equivalent of fantasy football, as potential allies who might be moved to follow NEIL and JONI (and a handful of others, like NILS) out SPOTIFY's door as the podcast protests continue. The suggestions/predictions are almost entirely hypothetical, but missing from most of the conversations are the hypothetical names who could actually break Spotify if they walked. Meaning not a handful of classic rockers or legacy pop stars, but the voices behind the 100 songs on these two playlists. Most of them are the exact kinds of younger artists who probably don't have the leverage with their labels to pull their catalogs even if they wanted to. But imagine if they did. Imagine GUNNA, RODDY RICCH, GLASS ANIMALS and GAYLE saying goodbye. Imagine those tracks suddenly grayed out on those playlists. That would be Spotfiy's worst nightmare, no?

Never Tomorrow

Meanwhile, here's what's going on with music's middle class, the road warriors who are making a few bucks but only a few bucks on Spotify, who rely on touring for a significant part of their income and who are having a hard if not impossible time doing that right now because of the pandemic that happens to be at the heart of the Spotify outcry.

The LA Times' AUGUST BROWN chats with BEST COAST principals BETHANY COSENTINO and BOBB BRUNO and their agent, manager and road manager about the decision to cancel their tour for the 2020 album ALWAYS TOMORROW for a third time. The math is sobering and heartbreaking. On a 20-show tour of midsize clubs, says SAM HUNT, the LA band's agent at PARADIGM, "the profit margin can be as little as two or three shows." Which is to say, if either of the two bandmembers test positive for Covid and has to quarantine for five days, then boom, the tour starts going into debt.

The band is already likely to come up short on merch sales since every Covid no-show is one less potential t-shirt buyer. And "even though we’ve done it for 12 years, we can’t afford to call a guy to fill in on drums and pay to put someone up in a hotel," Cosentino says.

So they're staying home. "I felt really bad for our touring band, our tour manager, the front-of-house engineer," the singer-guitarist says. And then there's this: "Venue availabilities are tight for the rest of 2022," manager JORDAN KURLAND tells Brown. "Bus companies are sold out until October. If you rent gear, it’s really crowded."

Which means, obviously, other bands *are* touring right now and/or planning tours for later this year. It's doable and it's being done. But it's a difficult decision and that’s the math, and the fact that some bands can make it work doesn't mean every band, even one that's been at it with a good deal of success for 12 years, can do it. And it's going to be that much harder now to make up those dates.

(You can help! Get vaxxed if you haven’t yet. Wear your mask. Buy things at BANDCAMP and wherever else you can buy things.)

Dot Dot Dot

A lot of people have been waiting on DAN CHARNAS' J DILLA tome, DILLA TIME, which is out today from MCD BOOKS... Also today: The penultimate episode of TYLER MAHAN COE's 18-episode, nearly-40-hour, encyclopedic exploration of the life of GEORGE JONES, aka season 2 of his COCAINE & RHINESTONES podcast... DAVID MARCHESE's Q&A with EDDIE VEDDER for the New York Times Magazine is an unusually thoughtful conversation about the nature of success, activism and grief, among other topics. There's a great bit within about Vedder and BONO discussing their very different views on ambition and achievement. PEARL JAM's dream, according to Vedder, was to be "a group that toured and recorded," and having achieved that, the band basically wanted to stay right there. Suffice it to say, Bono dreamed differently. "He was frustrated with me," Vedder says... GOMEZ's TOM GRAY, founder of the #BROKENRECORD campaign, is the new chair of the IVORS ACADEMY.

Rest in Peace

Virtuoso Chicago blues drummer SAM LAY, who played with Muddy Waters, Howlin' Wolf, Little Walter and the Paul Butterfield Blues Band and backed Bob Dylan when he went electric at the Newport Folk Festival. "Flawless musicianship and unsurpassed timing," Dylan once said. "I made fun of his hair," Lay said of Dylan. "I told him it reminded me of the Muddy Waters song ‘I Found a Bird Nest on the Ground'"... NORMA WATERSON, who with her family group, the Watersons, was at the center of the '60s British folk revival, and who in later years found acclaim in another family band, Waterson–Carthy, with her husband, Martin Carthy, and daughter, Eliza Carthy. She was "one of the defining voices of English traditional music," Billy Bragg said. She was in her late 50s when she released her first solo album, and it was nominated for the MERCURY PRIZE.

- Matty Karas (@troubledoll), curator
truth and soul
The New York Times
Eddie Vedder Is Still Learning to Live With Loss
By David Marchese
“Not everyone is able to get with close friends who have wisdom to impart, the simple thing of waking up and trying again.”
Los Angeles Times
They waited two years to finally get back on the road. Then came Omicron
By August Brown
For middle-class artists like L.A.'s Best Coast, touring means everything, financially and spiritually. An inside look at what's lost when the show can't go on.
Above The API
On Neil Young, Spotify, and Netflix
By Dave Edwards
An in-depth look at Spotify's podcast controversy, Netflix Q4 earnings troubles, and the ways in which the turbulence both companies are experiencing is deeply intertwined.
Trapital
Spotify’s Quest to Own Your Ear
By Dan Runcie and Evan Armstrong
In a market with multiple credible alternatives, what force is keeping Spotify on top? Our thesis is simple: Spotify wins because it has what matters most—attention.
Complex
Babyface Ray’s Moment Is Now
By Jessica McKinney
"Face" isn't just a win for Babyface Ray—it’s an album that continues the hot streak of Detroit rap.
Los Angeles Times
The Janet Jackson doc shows how even the problematic men in her life can't smudge her greatness
By Mikael Wood, Suzy Exposito and Julian Kimble
Our panel of experts discuss this weekend's flawed but engrossing 'Janet' docuseries.
KQED
Poly Styrene Documentary ‘I Am a Cliché’ is Much More Than a Punk Profile
By Rae Alexandra
Celeste Bell-Dos Santos’ film about her mother is a beautiful meditation on what parents and children owe to one another.
Billboard
The Changing World of A&R
By Dan Rys
As record labels continue to evolve, A&R has changed, too. Eight executives break down how.
NPR
Why the music industry is paying close attention to TikTok
By Mia Venkat
User-generated content specific to TikTok has propelled songs old and new to viral success. That's left the record labels looking to the app for their next stars.
MTV News
Nija Has Penned No. 1 Hits For Plenty Of Pop Stars -- Now It’s Her Turn
By Alex Gonzalez
On her debut EP, 'Don’t Say I Didn’t Warn You,’ the in-demand songwriter digs into the wreckage of a relationship, and herself.
the reality of my surroundings
The New York Times
Why the ‘Euphoria’ Teens Listen to Sinead O’Connor, Tupac and Selena
By Joe Coscarelli
The hit HBO show’s maximalist, era-jumping soundtrack is unconcerned with realism, packing in dozens of songs, from the underground to the instantly recognizable.
NME
Alice Glass: 'I never thought I would be talking openly like this… about anything'
By El Hunt
How Alice Glass has poured the “pain” of Crystal Castles into her debut solo album ‘PREY//IV’ and found her voice with like-minded musical pioneers.
Culture Notes of an Honest Broker
How to Abandon a Music Career
By Ted Gioia
A guide to the one career move you won't learn about in music school.
Music Business Worldwide
‘I’ve never been into the music business; it’s a means to an end’
By Dave Roberts
Mute Records founder Daniel Miller looks back at his career, reflects on the key to great A&R and pays tribute to some of the artists that have been part of Mute’s story so far.
JazzTimes
Immanuel Wilkins Aims to Communicate the Spirit Within on 'The 7th Hand'
By A.D. Amorosi
The alto saxophonist speaks of the Pentecostal Church, the Book of Ezekiel, the concept of vesselhood—and braising short ribs.
Under the Radar
Imarhan on Recording Their New Album “Aboogi” in Their Algerian Hometown
By Kyle Mullin
An isolated, notoriously dangerous desert is preferable to amenity rife Western locales. At least that's the case for Imarhan while working on an album.
The Sydney Morning Herald
I have seen music streaming’s best invention, and it is time-synced song lyrics
By Robert Moran
Did you know there’s a portable karaoke machine in your hand right now? Enjoy it.
Attack Magazine
How The Music Tech Industry Is Adapting to Better Accommodate Musicians With Accessibility Issues
By Adam Douglas
Lack of accessibility is an issue that affects many music producers and DJs. We speak with three members of the disabled community to find out how accessibility impacts their creativity and performance.
Variety
Brit Beat: Next Week’s BRIT Awards Aim for ‘New and Young Audiences’; New AEG Boss Steve Homer’s Hopes for Live Music’s Recovery
By Mark Sutherland
The Grammys may have been postponed until April, but the U.K. equivalent - the BRIT Awards - will take place next week as planned at the O2 Arena in London.
San Antonio Current
Before 'Pepper' and MTV: An oral history of the Butthole Surfers' San Antonio years
By Bill Baird
Born in an isolated late-'70s San Antonio punk rock scene, the Butthole Surfers eventually grew into one of the premier underground acts of the '80s and '90s.
Chicago Sun-Times
Legendary drummer Sam Lay dead at 86
By Maureen O'Donnell
Inducted into the Rock & Roll Hall of Fame as part of the Paul Butterfield Blues Band, he also played with blues legends Muddy Waters and Howlin’ Wolf as well as with Bob Dylan.
what we're into
Music of the day
“Slow Bus Movin' (Howard Beach Party)”
Fishbone
Video of the day
“Everyday Sunshine: The Story of Fishbone”
Lev Anderson and Chris Metzler
2010 documentary narrated by Laurence Fishburne.
Music | Media
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