If you are having trouble viewing this email, click here.

I don’t want to be Scottie Pippen to his Jordan.
Is this interest remix not displaying correctly? | View it in your browser.
Mosh pit stop: Cars line up for a drive-in concert by singer-songwriter Mads Langer, Aarhus, Denmark, April 24, 2020.
(Mikkel Berg Pedersen/AFP/Getty Images)
Monday - May 04, 2020 Mon - 05/04/20
rantnrave:// Today's the day that clubs, theaters, arenas and stadiums in the state of Missouri are free to open their doors for concerts and other public gatherings for the first time in six weeks under a directive from GOV. MIKE PARSON that clubs, theaters, arenas and stadiums are generally ignoring, and I'd like to dedicate today's newsletter to the club owners, booking agents, artists and local governments who are standing up for staying home. It's too soon to step into an arena like the ENTERPRISE CENTER in St. Louis, whose next not-yet-canceled concert is a HARRY STYLES show on July 21. It's too soon, even with enforced social distancing inside (as if), to take a seat at the UPTOWN THEATER in Kansas City, which has wiped everything from its calendar until a HAZEL ENGLISH show on June 10. The decision isn't entirely in the venues' hands. In the state's biggest cities, local stay-at-home orders, which supersede the governor's order, remain in place. But even in a city like Columbia, where there are no such restrictions, the BLUE NOTE is continuing to host livestreams and saying no to actual live shows. What does the live music community know that the governor of Missouri doesn't? What do most Americans know that the governor of Missouri doesn't? (He's obviously not alone in this, but this particular landmark is a potentially major one for the anti-quarantine movement, if anyone goes along with it.) My heart breaks for musicians and road crews and club employees and everyone else who's unable to work because of a pandemic isn't going to pay attention to government orders any more than it's going to to pay attention to international borders. I work from home and I'm well aware of the privilege that entails, especially now. There are other solutions for those who can't, besides forcing them to return to stores and offices and factories and restaurants. Let's fight for those. Let's fight for testing and contact tracing and personal protective equipment. Let's fight for financial relief. Let's fight for medicine and for real people's economic needs at the same time. And there are options for those who simply want to see a live show that we don't even have to fight for. Look at your phone. Open your laptop. The music is there. Live DJ sets. Live bands. Live bedroom musicians. Live archives. There's so much I don't even know where to begin. But I know that I can begin... In the meantime, if there can be drive-in movies, why not drive-in concerts? An innovation from Denmark... Somewhere in America, I'm pretty sure it's Los Angeles, lives a toddler who wrote a song called "I WONDER WHAT'S INSIDE YOUR B***HOLE," and if I had a record label I'd be on the phone with mom today trying to negotiate a deal. Seriously. Verse lyric: "Maybe there is astronauts / And maybe there is aliens"... RIP CADY GROVES and ELSE BLANGSTED.
- Matty Karas (@troubledoll), curator
we shall all be healed
Fast Company
Questlove and Black Thought on how quarantine unlocked their creativity
by Starr Rhett Rocque
DJ sets, cooking shows, poetry readings: Sheltering in place has changed how The Roots and manager Shawn Gee think about how to engage audiences.
Rolling Stone
A ‘Tinder for Songwriters’ App Is Thriving in Quarantine
by Samantha Hissong
We Should Write Sometime, which uses swipe-right technology and geotagging to pair up compatible songwriters, has seen a 61% increase in daily average downloads since sheltering in place went nationwide.
The New York Times
Rap Soundtracks the Michael Jordan Doc. The N.B.A. Wasn’t Always That Way.
by Jeremy Gordon
“The Last Dance,” the ESPN series about his final season with the Bulls, is interwoven with classic hip-hop that presented some legal hurdles. But Jordan, and the league, weren’t always fans.
Music Industry Blog
Travis Scott has Only Scratched the Surface of Music Games Tie Ups
by Mark Mulligan
In February 2019 Marshmello caused ripples of almost tidal proportions across the music business when 10.7 million Fortnite fans watched him perform a 'concert' in the game. Then in April 2020 Travis Scott followed in his shoes with his own Fortnite concert, pulling in 12 million players.
The Atlantic
A Strangely Comforting Quarantine Album
by Spencer Kornhaber
The Mountain Goats’ latest release is authentically a product of this pandemic, but it’s also nicely indifferent to it.
Consequence of Sound
Embracing a Future Where Memes Choose the Hit Songs
by Meggie Gates
The fate of a pop artist now belongs in the hands of Twitch, Twitter, and Tik Tok.
Billboard
No Spin Zone: Spotify’s Latest Earnings Shoot Straight on Losses, Pandemic Impact & On-Demand Video
by Glenn Peoples
Spotify's prevailing message with its quarterly earnings report on Wednesday should help much of the music business breathe easy as the global markets are distressed: streaming and subscription revenues are expected to continue with little interruption in 2020.
Music Business Worldwide
Why some record deals being fast-tracked during Coronavirus lockdown
by Murray Stassen
Doug Davis, Tunji Balogun and Ty Stiklorius took part in a Zoom conversation about COVID-19's impact on the music business.
The Pudding
Identifying Generational Gaps in Music
by Matt Daniels
Do you recognize songs from history more than people your age?
UPROXX
The Oral History Of Guided By Voices’ ’90s Indie Classic ’Alien Lanes’
by Steven Hyden
The epic story behind the influential lo-fi masterpiece made with ’lots of beer, lots of cigarettes, lots of fun.’
nine black poppies
Mixmag
Don't give up the day job?: A generation of DJs are working 9 to 5 without compromising their music dreams
by Joe Roberts
Electronic artists are combining a music career with a day job and succeeding on their own terms.
HUCK Magazine
Car Seat Headrest’s Will Toledo: ‘If you’re totally stable, you’re probably not writing music’
by Niall Flynn
With his new album, Will Toledo is embracing new sounds and donning a mask. To mark its release, he tells us why he’s tired of fighting his past self.
Pitchfork
How the Hell Do You Throw a Music Festival in 'Minecraft'?
by Cat Zhang
We spoke with Open Pit, the organizers of in-game concerts featuring 100 Gecs, American Football, and more.
The Quietus
Hum And Rumble: Sound In The World Of COVID19
by Lawrence Kramer
Philosopher and musicologist Lawrence Kramer, author of "The Hum of the World" (2019), meditates on music and listening on lockdown
Middle Class Artist
The Post-Covid Concert Hall Catastrophe: Why Audience Attendance is the Least of Our Problems
by Zach Finkelstein
The billion-dollar question that will determine the fate of Big Hall Classical Music in America is: How do we present music to an audience in a socially distanced hall? Financially, is it even possible?
Los Angeles Times
The explosive musical storytelling of San Cha puts the Goth in ranchera
by Dorany Pineda
San Cha is a queer Latina musician whose new album, 'La Luz de la Esperanza,' is a musical telenovela that reimagines rancheras with a gothic edge.
Billboard
Shut In Due to Pandemic, Cuba Opens a Window to the World With Music
by Judy Cantor-Navas
A steady stream of at-home entertainment for the Cuban public gives a global audience access to performances by a panorama of artists.
Pollstar
Q’s With Jim Lucchese, CEO Of Sofar Sounds
by Francisco Rendon
Sofar Sounds has made waves in recent years with its unique approach to live music: concerts that are organized in nontraditional venues like office buildings, homes, or warehouses, with attendees only receiving the location and lineup a day or two beforehand.
The Daily Beast
New Orleans Mourns the Loss of Ellis Marsalis: 'We Were All His Children'
by Larry Blumenfeld
Remembering Ellis Marsalis, father of the Crescent City’s most famous jazz family, which includes musical sons Wynton, Branford, Delfeayo, and Jason—on his own terms.
Resident Advisor
The Manila-Based Virtual Nightclub That Predates Coronavirus
by Maya-Roisin Slater
Maya-Róisín Slater meets the organizers behind Club Matryoshka to learn why online raving was a popular choice long before the pandemic and will keep its crowd even after clubs can once again open their doors.
MUSIC OF THE DAY
YouTube
"How Far?"
Gorillaz ft. Tony Allen and Skepta
Released Saturday in tribute to drummer Tony Allen, who died two days earlier.
“REDEF is dedicated to my mother, who nurtured and encouraged my interest in everything and slightly regrets the day she taught me to always ask ‘why?’”
@JasonHirschhorn


REDEF, Inc.
NY - LA - EVERYWHERE

redef.com
YOU DON'T GET IT?
Subscribe
Unsubscribe/Manage My Subscription
FOLLOW REDEF ON
© Copyright 2020, The REDEF Group